Language is an interesting thing; the same word can mean two different things in diverse dialects. Ginoe’s “Banal Banal” or...
In Mujer, Erika Mayo, Roselle Perez, Margaux Blas, Shiela Molato, Marge Chavez, Elwah Gonzales, Tara Illenberger, and Regine Espinosa attempt to shatter the antiquated notion of how female art is viewed by the audience by bestowing the power upon the artist to control the visuals and narrative.
Martin Genodepa installs sculptures in front of UPV to remember the crowd.
Braza wants the audience to take their time with his pieces, saying that although he has no control over the audience’s experience with his creation, perhaps the audience can have control over their creations and perceptions of their image.
Place and identity are intersecting themes of contemporary art that are often explored by artists and curators. In “Panagbo: Encounters...
Viva España Just like an altar, there is an abundance of objects for the audience to meditate on in Norberto...
There’s a convergence of the novel and the familiar, both in the sense of ideas and methods, in Roselle Perez’...