Exhibits

Shifting the Gaze in Job Hablo’s PorNOgraphyX

PorNOgraphyX is Job Hablo’s first solo exhibition. A collection of works in different media, all featuring the naked body, both of female models and...

Pinning Down the Mundane in Punctum: wounds of time

There’s a convergence of the novel and the familiar, both in the sense of ideas and methods, in Roselle Perez’ and spaaawn’s mix-media collaboration...

Coming of Age: An Exhibition at Iloilo Cinematheque

The transition from childhood into adolescence, and from adolescence into adulthood is a life-changing period, one which is heavily documented and explored by artists....

The Sacred and the Secular in Norberto Roldan’s “Viva España/ Long Live America”

Viva España Just like an altar, there is an abundance of objects for the audience to meditate on in Norberto Roldan’s “Viva España”. But perhaps...

Contemporary Art Meets Way of Life in “Panagbo: Encounters with Tradition”

Place and identity are intersecting themes of contemporary art that are often explored by artists and curators. In “Panagbo: Encounters with Tradition”, curator Marika...

Double Dead: Merging Self and Nature

Double Dead is a two-person exhibition of a painter and a sculptor, one inspired by imagination and the other is driven by material. Noel...

Reflecting on your Reflection: Bacolod Artist, Brandon Braza, Shifts the Gaze Back to the Audience

Braza wants the audience to take their time with his pieces, saying that although he has no control over the audience’s experience with his creation, perhaps the audience can have control over their creations and perceptions of their image.

Making the Absent Present in Martin Genodepa’s “Memorial Park: Missing the Crowd”

Martin Genodepa installs sculptures in front of UPV to remember the crowd.

Dark Images and Darker Undertones in “Mornië Alantië”

Paul John Cabanalan and Joebert Gayoma are bringing their art to a new light.

Ilongga Artists Reclaim the Narratives in Mujer

In Mujer, Erika Mayo, Roselle Perez, Margaux Blas, Shiela Molato, Marge Chavez, Elwah Gonzales, Tara Illenberger, and Regine Espinosa attempt to shatter the antiquated notion of how female art is viewed by the audience by bestowing the power upon the artist to control the visuals and narrative.
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Popular

Archival Histories and Futures in “NAÚG: Patadyóng as Art Form and Function”, Curated by Martin Genodepa

I have two vivid childhood memories about patadyóngs. When...

The Importance of Juxtapositions in Antipas Delotavo’s Iloilo Variants

Iloilo Variants is Antipas Delotavo’s first solo exhibition in...

Have Words, Will Xerox: A Brief History of Ilonggo Zines

Editor's Note: The full version of this article was...

Althea Villanueva: Immortalizing Culture Through Art

Iloilo has a rich culture, captivating stories, and cultural...

Gelo Zarsuelo: Coloring Queer Narratives

Hailing from Kalibo, Gelo Zarsuelo is a queer artist...