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Madhu artist illoilo

Madhu Liebscher is Weaving Tapestry of Places Where She Lived

Allyn Canja - July 31, 2021 0

Kamustahanay

Thrive Editor - July 24, 2021 0

Making the Absent Present in Martin Genodepa’s “Memorial Park: Missing the...

Allyn Canja - April 27, 2021 0

Dark Images and Darker Undertones in “Mornië Alantië”

Allyn Canja - March 31, 2021 0
Margauz Blas painting

Ilongga Artists Reclaim the Narratives in Mujer

Allyn Canja - March 26, 2021 0
books 4 books iloilo

Bonding Over Books in the Middle of a Pandemic

Allyn Canja - November 4, 2020 0

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Brandon Braza

Recent Posts

  • Tracing the lines of Rock Drilon’s “Visual Notes”
  • Super Inday, Pagtatanghal Bilang Reimahinasyon ng Kondisyon ng/sa Paglaya
  • Role of Artists in the Age of Disinformation
  • Baeay Pinamana of the Dela Cruz Family
  • Visualizing Oral Traditions through Manga, “Golden Realms”
  • Join us in documenting our culture!
  • Explore the parallels between Japanese and Filipino folklore
  • The Iloilo Mega Book Fair 2021
  • Indigenous Peoples’ Right and Intellectual Property Rights
  • Telling the stories of the Panay Bukidnun

Reflecting on your Reflection: Bacolod Artist, Brandon Braza, Shifts the Gaze Back to the Audience

https://thriveart.org/wp-content/uploads/2021/05/IMG_1428.mp4

EXHIBITIONS

Reflecting on your Reflection: Bacolod Artist, Brandon Braza, Shifts the Gaze Back to the Audience

Double Dead: Merging Self and Nature

Dark Images and Darker Undertones in “Mornië Alantië”

WRITERS

Bonding Over Books in the Middle of a Pandemic

Kristine Buenavista: Listening to Stories from the Barrio

The Iloilo Mega Book Fair 2021

OPINIONS

The Image at Corner Solis and Muelle Streets

When Indigenous Cultures Become Internet Content

Artist’s Perspective: Paindemic

PROJECTS

Madhu Liebscher is Weaving Tapestry of Places Where She Lived

Indigenous Peoples’ Right and Intellectual Property Rights

Telling the stories of the Panay Bukidnun

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