“Ugnayan,” a Lesson on Collaboration and Exchange

The dominance of Manila as the center of the Philippine art scene has long defined the narrative of success and visibility of Filipino artists. But this centralism might soon be yielding...

A Room to Breathe

The conversation began quite organically, in 2024, with Johanz Mercurio simply showing up at Thrive Art Gallery, talking about this project he and his...

Tokwa Peñaflorida Unveils New Works on Paper in “Walang Naiwan Kundi ang Hamog sa mga Dahon” Following Talisay Residency

BACOLOD, NEGROS OCCIDENTAL – The Abungalow Residency Project and Sachet Projects are pleased to announce the culmination of Tokwa Peñaflorida’s two-month residency with the...

Coming of Age: An Exhibition at Iloilo Cinematheque

The transition from childhood into adolescence, and from adolescence into adulthood is a life-changing period, one which is heavily documented and explored by artists. In the Philippines coming of...

Artist Log: Is it Practical to do Both Digital and Traditional Art?

This week I received a few questions from my students. I thought that they could be good topics to discuss in my first column. Is it practical to do...

The Sacred and the Secular in Norberto Roldan’s “Viva España/ Long Live America”

Viva España Just like an altar, there is an abundance of objects for the audience to meditate on in Norberto Roldan’s “Viva España”. But perhaps the exhibition can be viewed...