“Ugnayan,” a Lesson on Collaboration and Exchange

The dominance of Manila as the center of the Philippine art scene has long defined the narrative of success and visibility of Filipino artists. But this centralism might soon be yielding...

Hala Viva! A Fundraising Exhibition for Visayas Islands Visual Arts Exhibition and Conference

“Hala Viva!” blends the sound and meaning of two different/deferring concepts and events. One is taken from the collective cry of Ati-ati revelers showing...

“Ugnayan,” a Lesson on Collaboration and Exchange

The dominance of Manila as the center of the Philippine art scene has long defined the narrative of success and visibility of Filipino artists....

Reflecting on your Reflection: Bacolod Artist, Brandon Braza, Shifts the Gaze Back to the Audience

Braza wants the audience to take their time with his pieces, saying that although he has no control over the audience’s experience with his creation, perhaps the audience can have control over their creations and perceptions of their image.

Making the Absent Present in Martin Genodepa’s “Memorial Park: Missing the Crowd”

Martin Genodepa installs sculptures in front of UPV to remember the crowd.

Dark Images and Darker Undertones in “Mornië Alantië”

Paul John Cabanalan and Joebert Gayoma are bringing their art to a new light.