“Ugnayan,” a Lesson on Collaboration and Exchange

The dominance of Manila as the center of the Philippine art scene has long defined the narrative of success and visibility of Filipino artists. But this centralism might soon be yielding...

A Room to Breathe

The conversation began quite organically, in 2024, with Johanz Mercurio simply showing up at Thrive Art Gallery, talking about this project he and his...

Tokwa Peñaflorida Unveils New Works on Paper in “Walang Naiwan Kundi ang Hamog sa mga Dahon” Following Talisay Residency

BACOLOD, NEGROS OCCIDENTAL – The Abungalow Residency Project and Sachet Projects are pleased to announce the culmination of Tokwa Peñaflorida’s two-month residency with the...

How Do We Know If We’re Just Being Used as Artists? 

Over the past few months, I’ve found myself reflecting on my journey as a writer and cultural events organizer. A deep sense of exhaustion crept in, prompting me to...

Tayog-tayog: On The Sources of Ilonggo Imagination

An approach to the exhibit I first came across the term "tayog-tayog" when I was studying in Iloilo City. When someone tells an “out of this world” story or claim,...

Surrealism’s centenary in the City of Love

Through dreams, visual trickery of commonplace things, and creative imaginings, Surrealism as an art movement established a rarefied presentation of artistic practices.  Though mostly associated with dream-like and absurdist...