“Ugnayan,” a Lesson on Collaboration and Exchange

The dominance of Manila as the center of the Philippine art scene has long defined the narrative of success and visibility of Filipino artists. But this centralism might soon be yielding...

Alchemy in Alan Cabalfin’s Artworks in Clay 

Alan Cabalfin's workshop is more of an alchemist's laboratory than an artist's studio. His inventory lay bare: canisters labeled "manganese" and "cobalt" lined the...

La vita è bella: La Vita nell’ Arte at ILOMOCA

Ah, the Italians! The surreptitious allure of the Mona Lisa’s smile and the overwhelming magnitude of the frescoed ceiling of the Sistine Chapel – ask anyone with a sprinkling...

Red ants rising: Ang dágtà sang Baysulangpu

Dágtà, translated to English, may refer to a stain, a blot, or anything that taints. In its verb form, it may be understood as the act of blemishing or...

Aesth[ethical]ly out-there: Bry Barrios and his art

Thrive Art Gallery’s ‘Arstoryahanay’ series hosted Bry Barrios and his convo-workshop on Ethics and Aesthetics last July 7 – and while truly yours was expecting a lecture on the...